O, interactive installation which establishes parameters for co-creation of forms of sound as a bio-synthetic bridge. The author uses the frequency of a person and its "given framework" for the subject of transfiguration and evolution through perception – using ourselves as patterns in the representation of the sound itself. Using the inner “flexibilities”, answers to different questions are being posed and parameters of the forms of the sound are given, sending out the current record of the subject acting as a mediator for the realization of the composition. Coordination of this system involves all that is accumulated in the consciousness of the subject and beyond, as an algorithm of sound events and its representation – a print of the individual will in an encrypted recording, which now lives through the perception of physics and colour of the tone.

The created vibrational font of the cyclic system is followed by and in continuous creation of an array of physical-acoustic phenomena. A tone generated by this raster of an entity being translated into and interactive reflex is reproduced and stimulated, depending on the position and state of the visitor in the exhibition space. Music is made by two musicians – a conscious and an unconscious half of the matrix of every present individual. Music, just like a camera, records and transmits co-existence of the two apparently separated concurrencies that now, just as some old-new vocabulary, emphasize and define the perceived reality. We become aware and a part of many layers of diverse frequencies, which connect and build the form of a new body as the single truly authentic instrument and a compound of the musical composition. A complete psychological presence is being used as an introspective extension of the sound material, in order to define the architecture of sound. The basis is in the most direct and close "collaboration" between the bios of the visitor, which creates the clear emotional response to the matrix of music in reflection with its given charge.From a text by Miro Župa