eventuell. silence delves into the multifaceted nature of silence - exploring its absence of sound or noise, its implications for communication (both overt and suppressed), and its association with social isolation. Despite our inability to control or completely eliminate auditory stimuli, our brains struggle to acclimate to constant noise, hindering concentration. Conversely, absolute silence can disorient us, leaving a sense of unease.

In acknowledging that true silence is elusive due to the inevitability of organic sounds, artists across various disciplines have grappled with its interpretation. Among the most radical is John Cage, whose seminal work 4'33’’ consists of three movements devoid of deliberate sound, prompting reflections on the definitions of music, sound, noise, and silence. Cage famously asserted, "There is no such thing as silence. Something is always happening that makes a sound." This underscores the necessity of examining sound and its impact when exploring silence. Furthermore, the disconnect between visual and auditory perceptions poses intriguing questions. What if these sensory experiences were treated as independent parameters rather than inherently linked? Could this dichotomy shed light on broader societal issues? The colloquial expressions "keeping something quiet" and "making your voice heard" offer insights into the dynamics of public discourse and communication.

eventuell. silence represents the collaborative efforts of Vera Wahl and Manuela Villiger, comprising their third fully conceived, composed, and produced program. Incorporating sensors, live electronics, video, light, and performance, the project transcends traditional boundaries, blending elements of concert, music theater, political discourse, and documentation into a cohesive, immersive experience.