Vladimir Novak bases his artistic practice on investigating the boundaries of sculpture as a medium through objects, light installations, and sound installations, with a particular emphasis on the poetics of space, medium specificity, and affective intensities. Through iterative working processes, he examines and dismantles the boundaries between media, exploring the relationships between the visible and the invisible, as well as the concepts of body and mass, object and installation, stillness and movement, and light and shadow. His recent minimalist and subtle interventions in gallery and public spaces emphasise the processual nature of artistic practice and the interconnectedness of the artwork with natural and urban rhythms. He is particularly interested in transformations from one medium to another, as well as in the physical and socio-ecological resonances of his works. Operating at the threshold of perceptibility, in the ambiguity between malfunction and artistic gesture, he challenges the viewer's perception, sense of time, and patience, questioning the boundary between aesthetic experience and the banality of everyday phenomena. He has received numerous awards and recognitions for his artistic work.