The re-emergence and recent new accessibility of immersive technologies, particularly virtual reality in all its forms, is leading to question the dynamics of storytelling that these tools enable. Immersed viewers are in turn spectators and/or agents of the narrative, without becoming either performers or actors in the piece. Deeply interactive, but devoid of gameplay in the usual sense, what are the writing and staging methods offered by these new spatialized narratives? The workshop involves working in augmented reality in the public space of Zagreb. Based on the principle of a cadavre-exquis type of spatialized narrative, each participant develops a story fragment contextualized in a given place. Participants have the dual task of making this narrative element operational, and also linking it to other places set in story through augmented reality. The workshop introduces some simple and accessible tools for creating augmented reality.